Samson MPL 1502 Specifications download pdf (Page 7)

Guided Tour - Mono and Stereo Channels

6: Pan (white) - Provided in mono channels only. This knob allows you to place the input signal

anywhere in the left-right stereo spectrum, while keeping the overall signal level constant. When

the knob is placed at its center (detented) position, the signal is sent equally to both left and right

outputs. When moved left of center, less signal is sent to the right output (making the sound

appear left of center) and when moved right of center, less signal is sent to the left output

(making the sound appear right of center). To route a signal hard left or right, place the pan

knob either fully counterclockwise or fully clockwise.

7: Balance (dark gray) - Provided in stereo channels only. When both inputs (even-numbered

and odd-numbered) are connected to a stereo channel, the even-numbered input signal is auto-

matically panned hard left and the odd-numbered input signal is automatically panned hard right.

In this case, the “Balance” knob controls the relative levels of the paired input signals. When the

knob is placed at its center (detented) position, both signals are at equal strength. When moved

left of center, the even-numbered channel remains at the same strength but the odd-numbered

channel is attenuated; when the knob is moved right of center, the odd-numbered channel

remains at the same strength but the even-numbered channel is attenuated. When placed fully

counter-clockwise, only the even-numbered channel is heard (panned hard left); when placed

fully clockwise, only the odd-numbered channel is heard (panned hard right).

In stereo channels where only the even-numbered input is connected, the Balance knob func-

tions the same as a mono channel Pan control; see #6 above for details. For more information,

see the “Using Pan/Balance” section on page 18.

8: Peak LED (red) - This warning light indicates an overload situation. It lights whenever a

channel’s signal is 5 dB short of clipping. To stop it from lighting (and eliminate the accompanying

sonic distortion), turn down the channel’s Trim knob (see #3 above) or reduce the amount of

equalization boost. See the “Setting the Correct Gain Structure” and “Using Equalization”

sections in this manual (pages 14 and 19) for more information.

9: Gain (green) - In mono channels (or in stereo channels where only the odd-numbered input

is connected), this knob determines the signal level being sent to the main output as well as

affecting the signal level being sent to both Aux send. In stereo channels, this knob simultane-

ously controls the level of both the even-numbered and odd-numbered inputs (the relative levels

of the two can be adjusted with the Balance knob, as described above). In practice, you will use

the channel gain controls to continuously adjust the levels of the various signals being blended

together by the MPL 1502. The center-detented “0” position of the knob indicates unity gain (no

level attenuation or boost). Moving the knob counterclockwise from the “0” position (towards

“-∞”) causes the signal to be attenuated (at the very bottom, it is attenuated infinitely—in other

words, there is no sound). Moving it clockwise from the “0” position (towards “+15”) causes the

signal to be boosted by as much as 15 dB.

For best signal-to-noise ratio, all gain controls for channels carrying signal should generally be

kept at or near the “0” position. Channels that are unused should have their gain controls kept

fully counterclockwise at their “-∞” (minimum) level. See the “Setting the Correct Gain Structure”

section on page 14 for more information.

−∞

14 / 15

LEFT/MONO

RIGHT

-30+4

TRIM

HIGH

-15 +15

MID

-15 +15

LOW

-15 +15

+10

AUX 1

14 /15

GAIN

+15

PEAK

BALANCE

AUX 2

+10

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Samson MPL 1502 Specifications Page 7

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